L’art You Son by Garrard Transcription Reference in the Test

How much can a turntable cost? Martina of more beautiful of l’art du son has become at her Garrard masterpiece transcription reference about worry, but pursues only one goal: a total package that forever hooks off the subject of analog sound.

Why are there so few women in the HiFi industry? Maybe it’s because in our society especially men tend to devote themselves with skin and hair, and beyond any reason any global completely insignificant hobby. Between modern, professional distance and point “what is that?”, you can turn a few don’t even small wheel in the Hi-Fi industry, with riding a trend and even move this or that product range. But the large, historic breakthroughs be reserved for those, who are addicted to the theme up on both ears.

People like Martina of beautiful so. The team feels like 300 days spent in the year on axis and meanders in a mysterious pattern of all navigable roads of Europe. Along their six-figure annual loose itinerary large and smaller trade fairs are visits to customers and dealers, meeting with friends, allies and business partners, now and then also an editorial.

There is a player who on loan X place, spent temporarily to the local Y and made just on the road during the special operation, who understands it better than all previous fine balance drive shaft. Or the capable look, to machining times to restore a single drive chassis kilos of exotic, especially milling tool-unfriendly alloy stainless steel on demand.

Friction wheel turntable

What beautiful with their company l’art you son and as German Regent of England Garrard specialists Loricraft namely tries, nothing less than the perfection of an ancient, at times completely extinct Plattenspieler-is the principle – the late completion of the friction wheel player.

The latter is much better than its reputation: because between the motor and platter here, no elastic straps slip that hangs around, but a solid hard rubber wheel passes on the power, the driving force of a Reibradlers is clearly direct coupled, resulting in an excellent dynamic stability for proper motor control. Say: Even without zentnerschwere plate (which bring their own problems) so a player is exemplary stable to modulation, the music depending on varying grooved friction-induced brake effects.

These are very small (and there are also no Messverfaren for that), correlate but in contrast to other synchronous errors directly with the music signal. Hearing is extremely sensitive on such correlations, and real friction fans take a good dose of other errors in purchase, usually belonging to the dark sides of the friction wheel, to reduce it, often: what is always on the engine and friction at ambient noise – rumbles which always rattles, buzzes and hums, is also mercilessly passed on to the plate as the desired driving power.

That may not change also Martina of schöner. But there is a way out: friction player one does not improve by it decouples the engine. Also, by making smaller and weaker the engine, thus he less bothers. To improve it, by building them a perfect engine. An engine with massive torque, but absolutely vibration-free running – if it must be for decades.

Base: Garrard 501

The project began transcription reference at the fabled Studio drives in the Garrard 301 and 401, which reliably turn their base even after 60 years, but then but sometime need a qualified service. The English company Loricraft had specialized on this job, which got more and more orders for “better than new” noble restorations in addition to classic inspections. At some point, the perfectionism – and apparently also the budget, which the fans to spend were ready – had reached a point required a complete redesign.

And so Loricraft Garrard evolution added a new stage after decades of break: the 501 – after his test in the year 2005 the first and so far only friction wheel drive on the AUDIO list, and at the same time the only thing that could catch up in terms of tracking and rumble about good mass drives. But that Martina of schöner was not satisfied. But Irina, refined, refined more and more the 501er, found by persistent, empirical work the last critical areas that sound still could slow the player.

Fix it, nothing – cost sometimes when it came around to placing a screw or the neutral change of a material on the other. Usually, the desired improvements but only through complete manufacture could be achieve by switching from a special operation to a still more specialized.

Strictly speaking, the presented here transcription reference is a close relative of the 501 tested ten years ago, but still no part when the old is still so. Even the inlaid shell geschreinerte Maestro in German Walnut (or any other Woods by arrangement with the buyer) resembles a Davidoff Humidor in addition to a normal cigar box next to the ancients.

Power supply

A completely redesigned power supply, in addition separately as previously in signal generation and amplification, with almost limitless variable speed. The engine, which is Not directly on the mains voltage, gets generated and amplified from a high voltage-optimized high-end amplifier the required high voltage sine here so in a special, purely analog generator first on the Lupenreinste. Everything else would have been a waste of time, effort and talent given the almost obsessive care has been linked every part of the engine on perfect concentricity, – not to mention the money.

Because the goal of maximum Phonoklang is beautiful has left all other factors not to chance: the table (either in portrait or landscape) is specifically for the TR made, as the tone arm, the origin live in England specifically designed for the used cartridge. Normally, the system is a lyre Atlas – there is a close cooperation with Lyra.

Hearing test

The transcription reference played in the AUDIO listening room at the new Harbeth monitor 40/2 and the fantastic phono preamp “Rauschfrei” by Joachim Gerhard, we are testing in one of the next issues: music, how we they have never before heard of a turntable: incredibly dynamic, close and direct, this limitless finely resolved. We could fill pages with samples of music, but the superlatives would only repeat: we had heard no plate, which we have heard, ever so. And never saw our digital reference, the sublime Linn Klimax DSM, so pale in compared: If even a climax takes no tricks, makes digital generally no tricks. The TR not only closer than previous turntable comes the reality – he creates a musical parallel universe with vinyl.

Conclusion

The transcription reference is the finest analog technology from England and Japan, which fully irritate the technical limits of the friction wheel player and the MC cartridge – or rather blows up. For the unforgettable sound of the overall player are not only the technical individual responsible, but whose composition of perfect, proven over many years and the care taken in construction, the l’art you son in each case provides.

 

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L’Art du Son by Garrard Transcription Reference im Test …

L'Art du Son by Garrard Transcription Reference im Test ...

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L’Art du Son by Garrard Transcription Reference im Test …

L'Art du Son by Garrard Transcription Reference im Test ...

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L’art du Son by Garrard Transcription Reference in Test …

L’art du Son by Garrard Transcription Reference in Test ...

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L’Art du Son by Garrard Transcription Reference im Test …

L'Art du Son by Garrard Transcription Reference im Test ...

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L’Art du Son by Garrard Transcription Reference im Test …

L'Art du Son by Garrard Transcription Reference im Test ...

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